Centre for Design Research

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https://hdl.handle.net/10292/14930

The Centre of Design Research is hosted in Te Kura Toi a Hoahoa, the School of Art and Design at Auckland University of Technology. Our aim is to expand interdisciplinary research, engagement and discourse surrounding the theoretical, practical and commercial frameworks that embody design, art, media, and the creative industries.

We are profoundly engaged with makers and making, connecting academia to industry so that research makes a difference in the wider world through writing and writers, painting and pixels, the hand-made and the automated. Through our projects, public engagement and published research, we seek to challenge and redefine what it means to be a designer.

The projects we showcase have a strong commitment to inclusion and diversity. They are intersections: between design and art; Māori, Pacific and Indigenous knowledge and world views; science and technology. They connect with communities and celebrate the diversity, culture and methodologies of indigenous design practice.

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Browsing Centre for Design Research by Subject "Acting"

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    Acting and Its Double: A Practice-led Investigation of the Nature of Acting Within Performance Capture
    (Auckland University of Technology, 2021) Kennedy, Jason Allen; Marks, Stefan; Joseph, Frances
    This research deepens our understanding, as animators, actors, audiences, and academics, of how we see the practice of acting in performance capture (PeCap). While exploring the intersections between acting and animation, a central question emerges: what does acting become when the product of acting starts as data and finishes as computer-generated images that preserve the source-actor’s “original” performance to varying degrees? This primary question is interrogated through a practice-led inquiry in the form of 3D animation experiments that seek to clarify the following sub-questions: • What is the nature of acting within the contexts of animation and performance capture? • What is the potential for a knowledge of acting to have on the practice of animating, and for a knowledge of animation to have on the practice of acting? • What is the role of the animator in interpreting an actor’s performance data and how does this affect our understanding of the authorship of a given performance? This thesis is interdisciplinary and sits at the intersection between theories of acting, animation, film, and psychology. Additionally, this thesis engages with phenomenology and auto-ethnography to explore acting in performance capture from the perspective of a single individual as the actor, PeCap artist, and animator. This type of first-person experience-based insight is often missing from purely theoretical discussions about acting in performance capture and animation, and helps to provide a clearer understanding of the contributions of each creative role to the final PeCap result. This research provides a strong basis for the necessity of a paradigm revision for how acting is produced within a PeCap context.
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