A Child of Divorce: Autofictional Painting and Social Critique

aut.embargoNo
aut.thirdpc.containsYes
aut.thirdpc.permissionYes
dc.contributor.advisorMeyle, Lucy
dc.contributor.advisorShin, Jeena
dc.contributor.authorDampney, Isabella
dc.date.accessioned2023-11-01T03:00:35Z
dc.date.available2023-11-01T03:00:35Z
dc.date.issued2023
dc.description.abstractThis practice-led research project uses drawing, printmaking, and oil painting to coalesce personal experiences into a multi-dimensional and mutable image of my life through an autofiction framework. The inconsistent and contradictory nature of autofiction allows me to express the material of my life with some distance, where I can emphasise absurd moments and heighten tension in order to critique my experiences of unmet social expectations. Additionally, self-invention enables me to re-image my memories with control over the narrative that I might not have had during the initial experience while acknowledging the impossibility of accuracy. A Child of Divorce: Autofictional Painting and Social Critique forms a personal archive by accumulating created images in different mediums that respond to events and objects in my life that are often absurd, synchronous, sad, or morally suspect. When brought together into an exhibition, the individual works in this project produce connections between each other that can be both contradictory and synchronous, aided by the use of text and titling. Through the partial fictionality of the works, I critique my experiences with social alienation, low-wage precarious employment, and the (dys)function of family relationships and friendships.
dc.identifier.urihttp://hdl.handle.net/10292/16853
dc.language.isoen
dc.publisherAuckland University of Technology
dc.rights.accessrightsOpenAccess
dc.titleA Child of Divorce: Autofictional Painting and Social Critique
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Visual Art
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