School of Communication Studies - Te Kura Whakapāho

Permanent link for this collection

The School of Communication Studies is committed to innovative, critical and creative research that advances knowledge, serves the community, and develops future communication experts and skilled media practitioners. There is a dynamic interaction between communication theory and media practice across digital media, creative industries, film and television production advertising, radio, public relations, and journalism. The School is involved in research and development in areas of:
  • Journalism
  • Media and Communication
  • Media Performance
  • Multimodal Analysis
  • Online, Social and Digital Media
  • Asia-Pacific Media
  • Political Economy of Communication
  • Popular Culture
  • Public Relations
  • Radio

Browse

Recent Submissions

Now showing 1 - 5 of 190
  • Item
    Research, Practice, Knowledge: Introducing the Creative Knowledges Enabling Framework
    (Taylor & Francis, 2024-08-06) Batty, Craig; Zalipour, Arezou
    Amongst a myriad of articles, chapters and books that argue for different ways to understand and conduct creative practice research – or as it is otherwise known, artistic research, arts-based research, practice-led research, practitioner-based research, and so on – this article goes to the heart of the affordances of creative practice research and offers what the authors believe is more generative model for this work, with more productive terminology. By focusing on a process of research enabling, as opposed to research being led by, based on or taken through practice (and vice versa), the article seeks clarity on the relationship between research questions, research design and methods; where a contribution to knowledge resides; how, accordingly, a research project might be written up; and who, indeed, creative practice researchers are. From our experience of undertaking, supervising and evaluatingcreative practice research, we have come to realise that some of the fundamental challenges of this work reside in a basic understanding of what, why, how and by whom. We believe that some of the definitions and models of creative practice research are a contributor to these challenges, hence a new model with alternative terminology to help untangle some of the intellectual complexities we have seen. The discussion uses screen practice as its disciplinary site, encompassing media/screen production and screenwriting.
  • Item
    An Examination of Factors Influencing Journalism Educators’ Perceptions on the Role and Future of News Reporting
    (Intellect, 2024-06-01) Hollings, James; Wake, Alexandra; Peter, Raja; Martin, Fiona R; Rupar, Verica
    This article explores how educational qualifications, age, gender and regional context affect journalism educators’ perceptions of journalism’s normative roles and the future needs of journalism students. It draws on Australian and New Zealand/Aotearoan responses to the 2021 World Journalism Education Council (WJEC) Survey Journalistic Roles, Values and Qualifications in the 21st Century: How Journalism Educators Across the Globe View the Future of a Profession in Transition. It shows that holding a Ph.D. diminishes support for traditional observer and disseminator roles and predicts support for the mobilizer role. Age also predicts role perception; it diminishes support for the disseminator and mobilizer roles for both the current position of journalists and journalists in the next ten years. These age and education effects are independent of each other. The findings point to the need for more detailed research on the effects of further education on journalism teachers’ professional conceptions and teaching strategy.
  • Item
    New Funding Models in Journalism Are Emerging, but Major Leap Forward Is Lacking
    (Cogitatio, 2024-02-06) Myllylahti, Merja
    This editorial introduces our thematic issue, titled Examining New Models in Journalism Funding, at a pivotal time. While news companies have attempted to build sustainable business models, we have not yet seen a major leap forward. As observed by the authors of this issue, digital reader revenue has become a prominent source of income for many publishers, but the bulk of them continue to rely on advertising and print subscriptions for money. Recently, Google and Facebook have become major funders of news and innovation in journalism. Some governments have also launched specific support programs. After providing some background context, we introduce the articles featured in the issue. We go on to argue that these articles signal a renewed interest in the business of journalism, which will help us better understand the ongoing financial crisis in the commercial news sector at a more granular level.
  • Item
    Fortress or House of Cards? A Comparative, Critical Analysis of Australia’s and New Zealand’s COVID-19 Vaccination Rollout
    (University of Newcastle, 2023) Wolf, Katharina; Theunissen, Petra
    This research provides critical, comparative insights into Australia and New Zealand’s public communication approaches associated with the initial rollout of the COVID-19 vaccine, hailed as a crucial element of both countries’ recovery and reconnection to the rest of the world. Although Australia and New Zealand share similar socio-political contexts, the two countries approached the rollout very differently. Applying the circuit of culture model, this study explores the second year of the global COVID-19 pandemic through an Oceania lens, providing critical insights into the unique opportunities afforded to the island nations, as well as their exposure to global challenges. This paper aims to provide insights and learnings that may shape future responses to global (health) emergencies, including a call to rethink the notion of time-bound (public) communication campaigns in complex, ever-changing environments.
Items in these collections are protected by the Copyright Act 1994 (New Zealand). These works may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use:
  • Any use you make of these works must be for research or private study purposes only, and you may not make them available to any other person.
  • Authors control the copyright of their works. You will recognise the author’s right to be identified as the author of the work, and due acknowledgement will be made to the author where appropriate.
  • You will obtain the author’s permission before publishing any material from the work.